Little Red Riding Hood Uncloaked Read Online
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Each chapter presents a historical version of the tale and then goes on to talk over the theme and often moral message inherent in the story. I was surprised at the various role
Despite the intentionally sexualized cover, this is an intelligent and interesting exploration of a well-known graphic symbol, one I hadn't given much thought to earlier. Red Riding Hood is different from a lot of fairy tale females in that she's a child and doesn't play a romantic office, at least not in the story virtually of the states know.Each affiliate presents a historical version of the tale and then goes on to discuss the theme and often moral message inherent in the story. I was surprised at the various roles Red, the wolf, Grandma, and the hunter play, their meanings and motives oftentimes changing. The author also talks about Red's representations in pop civilisation.
The chapters are succinct and engaging, with many illustrations both current and old, making the pages fly by. I recommend this book if you lot're even casually interested in fairy tales. I came away with a new appreciation for the classic red-hooded petty girl and a better understanding of her constant evolution.
...moreIt dragged and dragged on and there was little sattisfaction behind it. I suppose, in the futurity, I'll just stick to the audiobook format when information technology comes to not fiction.
Truth be told, I didn't manage to read this i all the way till the finish. I maybe had some 50 pages left, only I only couldn't do it. The way the subject was handled was deadening and it dragged on and some data was repeated constantly.It dragged and dragged on and in that location was little sattisfaction behind it. I suppose, in the hereafter, I'll just stick to the audiobook format when information technology comes to non fiction.
...moreI loved the way the department on
After a slow start, I thoroughly enjoyed this analysis of the story of Piffling Carmine Riding Hood, from its genesis equally a folk tale in many parts of the earth through to assay of the red riding hood theme in modern books, cartoons and films. It was great to see Angela Carter'south wolf stories analysed, along with her "Company of Wolves" film collaboration with the managing director Neil Jordan. Shame the book was written besides early on to include an analysis of the film Hard Candy...I loved the way the section on "wolf as progenitor" turned the tables on traditional male person/female roles, as in some of the stories, granny and Crimson Riding Hood are pulled alive and whole from the wolf's belly.
It was interesting to meet how Perrault and the Grimms twisted the original folk story to mean that Cerise Riding Hood had to be rescued by the huntsmen, rather than existence able to complimentary herself and her granny and as well get her own back on the wolf. The morality of the story being nigh passivity of women folk.
...more thanMy only complaints are nitpicks. I accept an disfavor to feminist blowhard and and then didn't requite much of a damn virtually the department defended to that viewpoint. Orenstein did avoid presenting that chapter with a bias, giving equal weight to the extreme grrrl power hysteria and the more gentle adult female-as-viewed-past-men point of view, which was much appreciated. The essay focusing on the parallels of fairy tales and pornography was far to brusque for whatsoever in depth coverage, which I found disappointing as there's enough material in the bailiwick for an entire tome of its ain. It felt every bit if she was shying away from any chance of being titillating and in the procedure gave up the chance to be truly scholarly.
The exploration of sex activity and morality in Piddling Red Riding Hood is meant to stimulate thoughts on the cultures that reformed the tale to reflect their value systems, and Orenstein succeeds magnificently on this point. At that place'southward nothing sexy or voyeuristic about her book, despite the championship used to hook the reader. The words are true, but they don't mean what an uninterested observer might assume.
An excellent read, specially for those who like books on books (or tales, as the case may be). As an added benefit, ane chapter breaks downwardly the story into parts as laid out in Joseph Campbell's study of the hero'southward journey, presenting each stage in a fashion that would do good any fiction writer. Fourth dimension well spent reading with a gift at the end for those who might use it.
Definitely staying in my library.
...moreIt was interesting enough, if non captivating. I enjoyed most coming together some new-to-me 20th century poets.
One important if tiny point, however: NO, Obi Wan DOES NOT bequeath Luke his light saber.
This book was then interesting that I couldn't stop reading information technology. It begins with the origins of the tale and its implications and DANG. I didn't know one-half of what Orenstein discussed--and she discusses
I happened to see this book in the stacks every bit I was searching for folk tales to share with my storytelling course. I told myself that I was already reading fashion as well much, and could I really handle some other book in the eye of the term? I came back the side by side day for it and I didn't regret it one flake.This book was then interesting that I couldn't stop reading it. Information technology begins with the origins of the tale and its implications and DANG. I didn't know half of what Orenstein discussed--and she discusses a lot of interesting theories and analyses backed upwards past Bettelheim, who'due south one of the leading scholars in folklore studies. And so she goes on to discussing dissimilar translations and how the tale has transformed through the years until how it has recently settled in our contemporary minds.
She discusses unlike variations in which Little Ruby is violent in response to the wolf, or the times in which Fiddling Blood-red is the wolf--and what does this mean in the original context in which it was a cautionary tale against premarital sexual practice? UGH Information technology WAS JUST SO GOOD. I'd definitely recommend using this for whatsoever sort of academic research, or even but if you're similar me and want to read it for fun...
Review cross-listed here!
...more thanone attribute that I found annoying was that it appeared every bit if the affiliate intros were added later the text was written and some intros seemed misplaced or repetitive. ex. the chapter with the 3 page movie synopsis as the intro so the same info almost verbatim is the first couple of pages of the affiliate.
Orenstein'due south college thesis turned book introduced me to a myriad of other interpretations—albeit primarily western ones. Fifty-fifty some earlier stories have Red (somet
I very much enjoyed this. I've been taken with the fairy tale of Little Cerise Riding Hood, particularly from the perspective of sexism and control. Petty Red Riding Hood as the instructive (and judgment) on female sexual behavior, and female obedience to the male person order, whether the ravishment of the wolf or the saviorism of the woodsman.Orenstein's college thesis turned volume introduced me to a myriad of other interpretations—albeit primarily western ones. Even some earlier stories have Blood-red (sometimes with the aid of Grandma!) occasionally saving herself. The feminist movement quite plainly turned the story on its head, endangered species advocates turned Red into the villain, and other interpretations dug deeper into the wolf's crossdressing and "pregnancy." And and then there's the modern commercial advertising vs the literal pornographic satires, which reduce the story to its elements—seduction, penalisation (and normally a cape or cerise article of wear.)
The primeval official version of Scarlet, as penned past Charles Perrault during the decadent French court of Louis XIV, was a warning to the evolving upper-class ladies who held "salons" that might give access to unsafe men. The Grimm Brothers rewrote the story for children by turning Red into a younger and more than chaste grapheme. Instead of Cherry climbing into bed naked with the predator, the Grimm story introduces the idea of the wolf crossdressing in Grandma's apparel. I similar how their desire for German language nationalism ran into French fairytales, as a reminder that borders and cultures are more porous than we think. Of course that's not a major focus of this work. Nor are the older "wives tales" that Perrault took inspiration from, tales that were even more violent, focusing on werewolves, rape, and graphic dismemberment. Orenstein's research pointed to existent life medieval crimes (and punishment) in the countryside, which I can only hope were exaggerated.
Though this leads into a little bit of a criticism near this volume—Orenstein went down so many fascinating rabbit holes, but I think they ultimately detracted from her focus. There are just also many details that are unrelated to the main story—a story in and of itself that is filled with lots of varying details, as Orenstein analyzes several versions. I think this might be a case of folklorist geekery getting away from her.
This too reminds me of how much academia is tied to a specific time menses—ironic, mayhap, since Orenstein proves how Ruddy and other fairytales evolve (and even so circle back to older interpretations) throughout fourth dimension. However—the book was copywritten in 2002, and twenty years afterwards there are more direct, mainstream ways to talk most transgenderism, which both the wolf and sometimes Red, by making a wolfskin out of his pelt, take part in. I also appreciated Orenstein'due south commentary on the moving-picture show "Throughway"—tin can't believe I hadn't heard of it before! But what would she have made of the 2011 film staring Amanda Seyfried? I'k probably biased about that film—with the wolf and the woodsman and the male parent (and ultimately, the young man, too) being the aforementioned character, it covers all areas of patriarchy and attempted control of women. But maybe Orenstein would take a more interesting message nearly Red having the heritage of the wolf inside her, too.
It's not fair to demand that Orenstein focus on adaptations that hadn't come out notwithstanding when she was writing, of course. My biggest nitpick of i tiny expanse she didn't really comment on in a story she DID chronicle was in an oral tale from 1885, where cannibalism is introduced and the wolf tricks Red into eating and drinking her own grandmother. A random cat enters the story to prescript that Red is a "slut" for doing then. Again, I guess I'g too taken with how this fairytale is nigh sexual judgment and control of women. Roald Dahl, of all people in this book, flips that script on its head most bluntly: "The small girl smiles. One eyelid flickers. / She whips a pistol from her knickers. / She aims it at the creature's caput. / And bang, bang, bang, she shoots him dead." (Dead bodies bated, can Cherry-red still be a slut if she has a penis? Nigh gild I know of says no. And then again, as the author details a bit, societal stance, say, over the crime of rape, have changed over the centuries as well. Rabbit holes are fun!)
Still, kudos to Orenstein and this volume for extrapolating much more out of the story than I was doing on my own. Plus, reminding me of a brief sliver of my Library School days when we were studying, in way likewise wide of terms, the history of sociology. There'south something subtle but integral to human gild at work hither.
...moreGoing through a lot of the manifestations of Little Red Riding Hood through the ages (all of them would make for a very long book, I think), we see how the fairytale has adapted according to the times. Beginning as a cautionary tale for the French aristocratic lad
Having read this as research for my bachelor thesis some odd 7-eight years agone, it was a real care for coming dorsum and reading it for pure pleasure this fourth dimension effectually. Orenstein is an engaging writer that makes an academic text a real fun read.Going through a lot of the manifestations of Little Red Riding Hood through the ages (all of them would make for a very long volume, I recall), we see how the fairytale has adapted according to the times. Beginning as a cautionary tale for the French aristocratic ladies, it goes on to become everything from a children'due south story, a feminist manifesto, a drag inspiration to a full on pornographic source. Many fairy tales have fascinating histories, simply I call back Petty Cherry-red Riding Hood is my favorite.
Except for the fact that she has a tendency to echo herself, and sometimes perhaps go off on not-so-relevant subjects, this book is everything that I want it to be.
If you're into the origins and histories of fairy tales generally, and Piffling Crimson Riding Hood specifically, this i's for you.
...moreI'd love to encounter this as a series for other popular fairy tales.
...more thanInitially part of her thesis in University, Orenstein covers the various incarnations of Red Riding Hood - from a story mea
Think you lot know the story of Piffling Red Riding Hood? You might want to rethink that and pick upwardly Orenstein's book roofing the story and how it has much more to it than y'all might have initially thought. (Did you know that it didn't start out as a children's story? That over the years it has been studied for the sexual innuendos and inferences that appear in sure versions?)Initially role of her thesis in University, Orenstein covers the diverse incarnations of Ruddy Riding Hood - from a story meant for adults, information technology's revision to a child'due south story (with various versions) to how the paradigm of RRH has been used over the years in advertising and yep, even porn. As someone who studies folklore and myth and how the stories have been inverse over the years, I found this book to be a fascinating report in fairy tale lore.
Definitely recommended.
...moreOrenstein opens "Picayune Red Riding Hood Uncloaked" with interesting focal points concerning the history of the tale, various versions, the furnishings of cultural groups
Although we all seem to exist familiar with the fairy tale of "Picayune Red Riding Hood"; almost of the states are less familiar with the origins of the tale, the pregnant and implications, and the evolution of the story. Catherine Orenstein explores these areas in "Little Crimson Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale".Orenstein opens "Petty Red Riding Hood Uncloaked" with interesting focal points concerning the history of the tale, various versions, the effects of cultural groups on the story, and a breakdown of each various chemical element within: from the color red to the wolf'southward representations. Combining cultural studies, social histories, and psychoanalysis (although not as deeply as one would expect); "Niggling Reddish Riding Hood Uncloaked" captures reader attention and is compelling immediately from the get-get.
Although not overly scholarly (and using many outdated sources); Orenstein'south writing style and linguistic communication flows, provides fast and smoothen transitions, and delights with its grammar. "Little Carmine Riding Hood Uncloaked" is a simple book with a unique topic. On the reverse, yet, Orenstein sometimes seems to lose focus of her topic and strays on tangents focusing more on the history of fairy tales/fairy tale evolution, in general. Although this is also an interesting road and "Little Red Riding Hood Uncloaked" e'er returns to discussing the tale at mitt; the text can be disjointed and clunky.
Ane of the biggest issues of "Lilliputian Red Riding Hood Uncloaked" is Orenstein'due south habit of repeating data and sounding similar a college research paper. Literally: at times the text sounds like the papers from my Myths, Symbols, and Rituals class during my college days.
The second one-half/latter portion of "Little Cerise Riding Hood Uncloaked" is distracted and
too fast. The meaning is lost and the reader fails to grasp the information. Furthermore, Orenstein continues to be repetitive and only quotes the same sources over and over. This portion of Orenstein'south work also features issues with cohesiveness between chapters which don't follow a atypical path.Orenstein's ability to be raw and edgeless (such as when writing almost sex) can be both revealing and offensive, requiring reader discretion.
The determination of "Niggling Red Riding Hood Uncloaked" is weak and unrelated to the unabridged book leaving confusion and questioning of Orenstein'due south hypothesis. Basically, the beginning half of the volume is much improve than the 2d.
"Trivial Red Riding Hood" reads like a college newspaper which makes sense as it began equally Orenstein's thesis at Harvard. Although the execution failed somewhat and the text is lighter than expected; the book is yet interesting and suggested for those interested in the symbolism involved in fairy tales/sociology.
...more thanSuperficial word on the libido tension and the anti-dream-interpretation process of passing on a story. Superficial discussion on morality. Presenting some arbitrary phenomenon chronically is Not a discussion of "evolution". Lastly, there's no research in the book worthy of the word "unveiling".
All in all the title is the best role. Horrible. If the writer didn't blush when she quoted Claude Levi-Strauss, she should.
Horrible.Superficial discussion on the libido tension and the anti-dream-estimation process of passing on a story. Superficial word on morality. Presenting some arbitrary phenomenon chronically is Non a word of "evolution". Lastly, there's no inquiry in the volume worthy of the word "unveiling".
All in all the title is the best role. Horrible. If the author didn't blush when she quoted Claude Levi-Strauss, she should.
...moreI loved reading this volume; I learned and then much! I'd recommend it to everyone, just especially those interested in any of the following topics: fairy tales & folklore, gender, sexuality, and culture.
...moreThis is an approachable, like shooting fish in a barrel read that I do recommend to anyone curious about the history of this story.
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